
Relationships, and the importance he placed on dreams, the subconscious, Quantum physics that coincided with his mission to explore time-space Important imagery in his works, his fascination with mathematics and In Manchuria that molded his sensibilities and furnished much of the Such aspects stimulating Abe's imagination as his formative years Of the period plotted along conventional cause-and-effect lines andĮmphasizing emotional rather than physical expression. To fashion a theater that ran counter to the more typical dramatic work In chapter 1, Shields wrestles withĮlucidating in general terms Abe's creative interests and impulses Like a guidebook, Fare Fish describes sundry points of interest on Sustained presentation of Abe's ideas on theater. Has its attractive qualifies but is not especially suited to a lucid, "combination of reportage, reminiscence, and analysis" - that Techniques" and "The Abe Studio Plays," in a format - a Shields offers in essentially two chapters entitled "Themes and Interpreters and translators to enrich her experience. In 1978, she made frequent visits to observe its productions, employing

Welcomed at the Studio which Abe had established in 1971 to train andĭirect his own group of actors so that he might more fully realize theĪvant-garde vision of his plays. Traveling to Tokyo in 1973 to interview Abe, she was warmly Shields was provided a unique opportunity to gather data for this Possible, she notes, on Abe's creative perspective. "guidebook" to the world of the Abe Studio, focusing as far as Resembles both." She refers to it instead as a "neither a biography nor a critical study, although it sometimes Theater of Kobo Abe is, in the words of its author Nancy Shields, The first extended look in English into the theatrical work of KoboĪbe, who is known primarily as a novelist in the West, Fake Fish: The APA style: Fake Fish: The Theater of Kobo Abe.

Fake Fish: The Theater of Kobo Abe." Retrieved from
NANCY SHIELDS 1978 INTERVIEW KOBO ABE FREE
